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Commercial retouching, cool color tone ideas in the late portrait period

作者:Sina Visitor System 学习: 14811人次 Source: Sina Author: Sina Visitor System Learning: 14811 visitors

This tutorial uses PS to understand the use of cold tones in commercial retouching. Everyone knows that commercial retouching is different from general retouching. It is always carried out around "texture". In order not to distort the characters, we focus on details and tones We will carry out fine editing, and the cool colors will give people a high-level feeling. Let ’s learn together.

Original and renderings:

商业修图,冷色调在人像后期的调色思路_psshu.com
psshu.com

First of all, composition. You can see that the distortion, viewing angle, and level are slightly inclined by observing the original film, so the first thing to do is to correct the distortion of the picture.

商业修图,冷色调在人像后期的调色思路_psshu.com

Correcting the distortion of a picture Generally, I use the distortion correction in LR to correct the distortion of the picture. The ordinary deformation point is automatically OK, simple and rough.

If you are not satisfied with the automatic processing, you can fine-tune the crop in the parameters below.

The composition requirements of most commercial pictures are horizontal and vertical, to avoid non-mainstream composition, so the correction of picture distortion in the early stage is still very important.

Commercial retouching, cool color tone in the late portrait portrait_psshu.com

It can be seen that the difference before and after the correction is still very obvious, and the overall temperament of the model has also been improved.

Next is the toning section.

The color tone of the main body is a cold and cold color. Another guiding idea is to highlight the main body.

Therefore, in color matching, we need to reduce the color density and lightness of models other than the model to ensure that the color of the subject is prominent.

商业修图,冷色调在人像后期的调色思路_psshu.com

商业修图,冷色调在人像后期的调色思路_psshu.com

The main idea of adjusting the light and shadow here is to balance the exposure, brighten the subject, lower the dark part, and initially strengthen the light and shadow effect in the early stage.

Color is only retaining the color of the subject, reducing other colors, you can see that my saturation of other colors is directly reduced to the end.

Because it is a cold and cool color style, the color temperature is also lowered.

The initial adjustment in LR basically ends here, and the next step is the refinement in PS.

商业修图,冷色调在人像后期的调色思路_psshu.com

Commercial retouching, cool color tone in the late portrait portrait_psshu.com

The first is the convention, which strengthens and adjusts the color relationship by selecting colors.

Layout restrictions, here only posted the adjusted part. Next is the adjustment of neutral gray. The main idea is to adjust the light and shadow structure, which is still the main body.

Of course, neutral gray is only used for a wide range of purposes. In addition to adjusting the tone to highlight the subject, the characters are also modified (model girls are too thin ... only more than 90 ...), and texture processing.

商业修图,冷色调在人像后期的调色思路_psshu.com

商业修图,冷色调在人像后期的调色思路_psshu.com

Neutral gray after application

商业修图,冷色调在人像后期的调色思路_psshu.com

Neutral gray adjustment of light and shadow and the adjustment of the overall tone of the character's guiding idea is still to highlight the subject and shape the texture.

Therefore, the neutral gray layer darkens the surrounding environment, and strengthens the highlights and shadows of the ground, as well as the light and shadows on the clothing.

商业修图,冷色调在人像后期的调色思路_psshu.com

The girl is really thin ... By zooming in on the legs we can see that the girl is really thin ...

So we use neutral paint on the highlights and shadows of the legs to modify the model to eliminate the highlights and shadows caused by thinness.

In addition, the main light receiving surface of the light is enhanced to enhance the texture.

The modification of the model in other parts of the body is the same as the above details, and will not be repeated here.

商业修图,冷色调在人像后期的调色思路_psshu.com

Dermabrasion and liquefaction

Next is the traditional microdermabrasion liquefaction. There are different methods of microdermabrasion liquefaction, so I won't go into details here.

It is worth mentioning that in the last step I further reduced the saturation a bit, to give the LR the final color fine-tuning for the next step to reserve room.

Then save, we return to the LR (LR-PS-LR process of late ideas, there are also articles previously dedicated to this post mode thinking

商业修图,冷色调在人像后期的调色思路_psshu.com

Last color adjustment in LR

The final adjustment guidance in LR is still to highlight the subject, strengthen the light and shadow to improve the texture, and once again fine-tune the color, light and shadow, and color temperature.

The final result is as follows.

商业修图,冷色调在人像后期的调色思路_psshu.com

Commercial retouching, cool color tone in the late portrait portrait_psshu.com

Comparison of the original film and the film of another group

It can be found that the guiding ideology determined in the early stage always runs through the entire later stage, so it is very important to have a clear guiding ideology in the later stage.

This can ensure that when processing a group of films, the style of the entire group of films will not be different due to sudden whim, and it will not happen that half of them do not know what to do.

Therefore, the materialist dialectics of Marxist philosophy is very helpful in the later period.

商业修图,冷色调在人像后期的调色思路_psshu.com

Commercial retouching, cool color tone in the late portrait portrait_psshu.com

carry out:

商业修图,冷色调在人像后期的调色思路_psshu.com

When we are retouching, we must pay attention to highlighting the subject through reasonable composition and highlighting the subject through color relationships, plus processing to improve the texture, and the entire photo is basically completed.

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